I always thought C11 was without the E in it. The E and F clash and also confuse the type of chord it is: dominant, tonic or sub-dominant.
What do you think?
I agree most of the time. But the rules for finding valid notes and voicings are the same.
You build on the 1-3-5-7-9-11-13
The melody dictates what happens sometimes. This complexity of harmony is typically used by jazz pianists.
I know it can be overused and some people never get used to it.
Try C-G-E-Bb-D-F but resolve it with F-A-C-E or F-C-E-G the parallel movement treats the clash like it was meant to be.
But maybe only half the population can reach a tenth so those kinds of voicings don’t get used much.
I always thought C11 was without the E in it. The E and F clash and also confuse the type of chord it is: dominant, tonic or sub-dominant.
What do you think?
I agree most of the time. But the rules for finding valid notes and voicings are the same.
You build on the 1-3-5-7-9-11-13
The melody dictates what happens sometimes. This complexity of harmony is typically used by jazz pianists.
I know it can be overused and some people never get used to it.
Try C-G-E-Bb-D-F but resolve it with F-A-C-E or F-C-E-G the parallel movement treats the clash like it was meant to be.
But maybe only half the population can reach a tenth so those kinds of voicings don’t get used much.